![]() In direct opposition to his attempt to assure fans that the team fully indicated to capture the true spirit of the original anime, Grillo-Marxuach also revealed that certain ‘mature’ elements of the series would be ‘toned down.’ Related: Fans React to John Cho Being Cast as Spike Spiegel in Netflix’s Live-Action Cowboy Bebop Series Grillo-Marxauch explained that there were no plans to end the series after ‘a certain number of episodes.’ He reasoned that there were “always going to be criminals to catch.” We’re not going to go one-to-one on all of those stories because we’re also trying to tell the broader story of Spike Spiegel and the Syndicate, Spike Spiegel and Julia, Spike Spiegel and Vicious, and all that.īut we are looking at the show and saying, ‘Who are some of the great villains in this show, and how can we put them into this into this broader narrative?’ So that we are telling both of the big stories that Cowboy Bebop tells.”ĭespite the original series having a finite number of episodes, writing on the adaptation’s second season is already underway. “You’ve got a show where you have 26 episodes that are full of very colorful villains, very colorful stories, very colorful adversaries, bounties, and all of that. Ironically, given the comparison to the recent fast and loose handling of Star Wars canon and material quality, Grillo-Marxuach proceeded to note that while the show will feature an ‘original narrative,’ as the team wished to avoid “fans of the show at it and say that we failed them or we failed the original.”įacilitated by the extension of episodes from 22-minutes to a full hour, the new narrative will try “to tell the broader story of Spike Spiegel and the Syndicate, Spike Spiegel and Julia, Spike Spiegel and Vicious, and all that.” Related: Netflix Reveals Behind-The-Scenes Footage For Live-Action Cowboy Bebop Series You know? It’s kind of like doing Star Wars.” If you’re doing Cowboy Bebop, you’re doing Cowboy Bebop. And it’s just sort of gonna be a loose thing. We’re going to give them different hair and different clothing, and we’re gonna call it something different. You can’t look at Cowboy Bebop and say, ‘Well, it’s just a take-off point. “We ain’t playing Bebop, Bebop is playing us. He then drew a comparison to the Star Wars franchise and noted how one could not “give them different hair and different clothing, and call it something different”: Recognizing Cowboy Bebop’s status as a widely beloved and iconic anime series, Grillo-Marxuach notes that the design philosophy of the series was that “We ain’t playing Bebop, Bebop is playing us.” In a recent interview with io9, series writer Grillo-Marxuach discussed his process and goals in writing the script for the ballad of space bounty hunters and criminal organizations. He confirmed changes such as an outfit swap for Faye Valentine, less glamorization of smoking, and an original narrative. While production staff has been adamant that Netflix’s live-action adaptation of the classic sci-fi anime Cowboy Bebop intends to remain faithful to the vision of the original space western, series writer Javier Grillo-Marxuach recently confirmed that the series will not be a ‘one-to-one adaptation.’ Click to email a link to a friend (Opens in new window).Click to share on Skype (Opens in new window).Click to share on Pocket (Opens in new window).Click to share on LinkedIn (Opens in new window).Click to share on WhatsApp (Opens in new window). ![]()
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